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Saturday, February 9, 2019

Twelfth Night Essays: Three Types of Love -- Twelfth Night essays

Three Types of Love in Twelfth Night In the tamper Twelfth Night, Shakespeargon explores and illustrates the emotion of love with precise detail. According to Websters New earthly concern Dictionary, love is defined as a strong affection or liking for someone. Throughout the lay out Shakespeare examines three different types of love current(p) love, self love and friendship. Twelfth Night consists of a large number of love triangles, however many a(prenominal) of the characters who are tangled up in the web of love are blind to see that their emotions and feelings toward other characters are un accepted and based merely on falsification. They are being deceived by themselves and/or the others around them. There are certain instances in the play where the emotion of love is true, and the two people involved feel actually strongly toward one another. Violas love for Orsino is a great example of true love. Although she is pretending to be a man and is virtually unkn receive i n Illyria, she hopes to win the Dukes heart. In act 1, scene 4, Viola lets out her true feelings for Cesario, yet a barful strife Whoeer I woo, myself would be his wife (1). That story becomes true when Viola reveals her true identity. Viola and Orsino had a particularly grave friendship, and making the switch to husband and wife was easy. Viola was caught up in another true love scena... ... Tobys company because he always lifts his pot likker and makes him feel like a true knight. Love is a omnipresent theme within literature. Love plays a major role in Twelfth Night, and Shakespeare addresses true love, self love, and friendship in a genuinely compelling and interesting way. Twelfth Night helps the reader form their own definition of love, and Shakespeare does a great job of explaining a topic with many dimensions. Work Cited and Consulted David, R. W., ed. The Arden Shakespeare Loves Labours Lost. London Methuen, 1951. Shakespeare, William. The Norton Shakespeare. Edited Stephen Greenblatt et al. New York W. W. Norton & Company, 1997.

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