Representations of Illness and Recovery in ‘the Secret Garden’

Explore The inexplicable tends representation of illness and convalescence. The transcendental Garden, written by Frances Hodgson Burnett, is a childrens story that has endu loss enormous popularity since its publication in 1911. The novel centres binge a young and lonely protagonist, bloody shame Lennox. bloody shames journeys in The out of sight Garden- twain physical and spiritual- have been followed by child readers and ofttimes remembered long into bounteoushood.The text communicates to readers themes such as death, affection, and recovery and it is largely be score of this addressing of earnest and several(prenominal)times relatable issues that the novel has been he bed such a significant contribution to childrens literature. The notions that illness and unhappiness of all kinds can be bring backd by validatory thinking is a concept that runs by means of the text and is mostly attributed to the authors sustain belief in Christian science.Burnett was kn featur e to have desexualize up comfort in spirituality and this New thought ideology whilst traffic with the deaths that occurred in her own life and the resulting depression from them. By exploring the representations of illness and recovery within The Secret Garden readers are able to recognise the messages and lessons Burnett as an author was attempting to portray to children. From this, readers can also gain a undischargeder contextual understanding of the kind of society Burnett- and in pass, her qualitys- would have existed within.In some(prenominal) works of childrens literature, it is common for parental figures to either not be present or to be removed from the story in some way, to allow the child protagonist to have their own adventure without adult supervision. The Secret Garden is an example of this, but what stands apart from former(a) childrens texts is the harshness of the situation that bloody shame as a character is at one time faced with. By the end of The Secr et Gardens front chapter, both bloody shames parents and any servants that provided care for her have been killed by an outbreak of cholera.bloody shame Lennox is instantly surrounded by death at the generator of the story, and her sudden physical loneliness scarce draws attention from readers to the fact that bloody shame was very much alone and uncared for in the outgrowth place as Burnett writes, as soon as in that respect is an outbreak, She was forgotten by everyone. zippo thought of her, nobody wanted her . Death and sickness are the themes that spread The Secret Garden to readers and in turn give readers the first thought that these hemes are what largely define bloody shame Lennox as a protagonist. originally bloody shame is taken to live with her uncle in Yorkshire, she first stays in India with an face Clergyman and his family. What is interesting about where bloody shame is taken when she mustiness leave her first home is that she is only seen as safe and dis tant from disease when taken into a British setting- even if it is only make British by the people she is living with.It is decisions like this one make by Burnett that affirms to readers that India is seen to her as a sickly place the novel in fact opens with a paragraph stating Mary had been born in India and had always been ill in one way or another. It is important to consider that the first outbreak of Cholera is seen in the servants- those who are native to India- which is the cause of Marys parents death. India is frequently suggested to be an cytomegalic place, especially in comparison to England, which as The Secret Garden r apiecees is shown to be the place where characters wellness improve.This spare view of an English writer seeing England as a place of good health, whilst a foreign place to be somewhere that produces sickness and death, puts forward the head to readers of whether they are cosmos presented with an accurate perception of settings, or if they are breeding the explanations of someone who is significantly biased. Understanding this, adult readers should consider if child readers could be negatively influenced by the writers own opinions.The locked away and occult garden in Burnetts The Secret Garden is seen to be the symbolic centre of the novel even before its discovery. Its introduction through Martha, who tells Mary after some hesitation One of thgardens is locked up. No one has been in it for ten years. is one that creates the first really conundrum story of the text, something to occupy Marys thoughts while she begins life in Yorkshire and parent curiosity in readers, suggesting to them that there are much secrets to be ascertained than just the many shut away and forbidden way of lifes of the erstwhile(a) manor house.Although Burnett claims the garden at Marys first big money of it to be The sweetest, most mysterious place anyone could imagine, the first description of the setting is decidedly centred round th e fact that all the trees and flowers that were once there seem to no longer be alive. Like the opening scenes of The Secret Garden, this new scene is one largely defined by death. The garden has been hidden away and unwanted, much like Mary herself in the first base of The Secret Garden, however, the situation is different in that pon discovery, someone respectes to care for it. Mary claims Is it all a quite dead garden? I wish it wasnt. These words from the protagonist could be seen as a kind of positive get aroundment in character Mary is learning to feel benignity for other things. It could be argued that Marys wish to look after this garden stems from an innate desire to get let on herself. Despite Marys interest in caring for the garden, it is believed to be lifeless until Dickon is introduced into the text.Mary confides in him and brings him to the garden, and almost immediately he is able to find traces of life in the otherwise decaying surroundings, telling Mary it is as wick as you or me. Dickon as a character seems to represent both character and health Mary finds him surrounded by animals and the author describes him have Cheeks as red as poppies. The way he seems to portray both health and a close bond with nature suggests to readers that Burnett herself sees a strong connotation in the midst of contact with nature and good health.Nature is often used throughout The Secret Garden to describe healthy traits The doctor at one head flinch claims Dickon to be as strong as a moor harvest mite. Nature even outside of the garden or Moors is seen to be per se linked with being healthy in the text both Mary and Colins wellbeing seems to depend on the changing of the seasons. It is only when spring arrives that Colin feels strong enough to sit up for breakfast with his cousin, claiming I am breathing long breath of fresh air. It makes you strong. The two childrens health and progress seem to rely heavily on the matching progress of nature and th e seasons outside.Considering this, readers could ask themselves if Burnett has intended this to be because of how she may see nature and health intrinsically linked- the two children must bloom with the seasons and the flowers in the garden- or whether it is because she creates two characters so dependant on nature for their happiness. In the lonely, remote manor house with barely any other children around to lend with, nature and the garden are some of the only things for Mary and Colin to mannikin an attachment to. Colin is a character who is introduced to the text after much mystery he is the cause of the crying Mary has been hearing every night.His character of the invalid hidden away is one that has been seen before in other works of fiction- a notable example to draw parallels to is the character of Bertha in Jane Eyre. Colin and Bertha represent the kind of characters that were created in a Victorian fascination with the creative potential of disease . Sickness was someth ing that could define a character and make it interesting to readers a kind of morbid fascination with things that were not save correctly understood. Being sickly in the Victorian period was itself not seen as an entirely negative experience.Diane Price Herndl states in Invalid Women that Invalidism has historically offered women a way . . . to achieve a kind of power when no other means opened up. This in theory could put one across to Colin as a child character. Children, like women in the Victorian period, gained a kind of power from being unwell, as others are forced to envision to them and oblige to them for fear of sickening them further. Certainly, being treated for being unwell is the only kind of attention that Colin is able receive until later in The Secret Garden.The way Colin is treated for his illness seems to resemble the rest cure preaching, a method that was developed in the 19th century. He is moderate to his bed and isolated from other people, told to rest and never over seek himself, isolated from anyone around him. Until Mary meets him, there seems to be no predictable time when he will get better. Colin says to Mary when they first meet If I live I may be a hunchback, but I shant live. . Colin has essentially resigned to waiting in his room to die.Whilst Mary as a character strikes readers as having a approximate will to live, and a kind of innate desire to beget more healthy, at this express in the novel Colin seems to contrast against her in that he does not see himself living past childhood- as he has been told his entire life. However, hope for his improvement is created through the situation that he and Mary are first introduced to each other. Mary meets Colin at a point where she herself is head start to improve in behaviour and become more like a normal, healthy child.She is confused by the way that Colin acts, telling Martha later I think hes a very spoiled boy. hardly recognising that she herself was not very diff erent to him before she came to Yorkshire. The fact that Mary has constitute Colin whilst in the process of becoming more healthy herself is encouraging to readers, as if Mary can improve from being a spoilt, sickly child, past it seems likely that Colin is able to as well. In addition, Colin appears in the text as Mary is slowly learning to want to are for things and nurture them, implying that Mary can in turn look after and help Colin become more healthy. Colins actual state of health in The Secret Garden seems debatable. There is never an assigned name to the illness that keeps him from being mobile, other than being told that he may one twenty-four hours develop a hunchback like his father. His bouts of cold and fever seem to be directly related to how hysteric he becomes in his fits, his weakness manifestly due to the fact that he has barely ventured outside of his bedroom during his lifetime.It is Mary who is the first character to dismiss the idea of his sickness and in turn his unavoidable premature death, telling him Theres nothing the theme with your horrid back- nothing but hysterics . It is almost as if Colins own belief in his ill health has been created through the negative beliefs of others, and Mary as a character who is new and unfamiliar with these negative presumptions if the only person who can see past them.This concept that Colin is not genuinely unwell, but made to think he is and therefore acts as if he is disabled in some way, seems to align itself with Burnetts own beliefs in Christian science and New thought ideology. It also suggests to readers at this point in the novel that Colin is a character who can become better he has willed himself into ill health, so there is no reason wherefore he cannot similarly will himself into becoming more healthy.Despite the authors own apparent perceptions of sickness being based on Christian Science beliefs- that sickness can be cured through positive thinking- it has been suggested by som e that real forms of illness are present in some of the characters in the text. Mary and Colin are seen as neurotic figures Marys unconcern to death and her solitary games have seen her diagnosed as pre-schizoid, whilst Colins obsession with his own imaginary hunchback has been seen to class him as a hysteric.Burnett admits herself that Perhaps they were both of them thinking strange things children do not usually think. She as an author seems to understand that the child characters she has created do not act as normal, healthy children would. Though the possibility of Mary and Colins mental illnesses are just theories, it brings the question to readers of whether the treatment, or rather lack of treatment, being provided to each child is entirely appropriate. After all, each child has dealt with a great deal throughout their short lifetimes.Mary has practically witnessed the deaths of all that she first knew, whilst Colin has been moderate to one room for his entire life perhaps most importantly, neither of them have ever had loving parental figures present, so would surely be psychologically affected by this in some way. Modern day readers must consider that treatment of illness was in the time Mary and Colin would have existed in, very different to what is used now- for example, the rest cure of implement confinement and bed rest has since been discredited as a treatment to any condition.Whilst contact with nature and other children obviously shows signs of improvement in Colin and Marys wellbeing, readers might ask themselves if this would be the case of real children in the characters places, and if by the finishing chapters of The Secret Garden, Mary and Colin can be considered entirely cured of their past problems. Word enumerate 2,383 Bibliography * Lawson, Kate, The Victorian Sickroom in L. M. Montgomerys The Blue Castle and Emilys Quest Sentimental simile and the Selling of Dreams, Volume 31, Number 3, 2007 (http//muse. jhu. edu/login? auth=0&t ype=summary&universal resource locator=/journals/lion_and_the_unicorn/v031/31. lawson. html) * Gohlke, Madelon, Re-reading The Secret Garden, vol 41 no 8 (JSTOR) * Carpenter, Angelica, In the Garden Essays in honor of Frances Hodgson Burnett (http//chapters. scarecrowpress. com/08/108/0810852888ch1. pdf) * Hunt, Peter, An introduction to childrens literature, 1994, Oxford University Press * Hodgson Burnett, Frances, The Secret Garden, Puffin Classics, 1911 * (http//www. sciencemuseum. org. uk/broughttolife/techniques/restcure. aspx) (definition of rest cure) 1 . Gohlke, Madelon, Re-reading The Secret Garden, vol 41 no 8 2 .