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Thursday, January 31, 2019

W.S. Merwin as an Influential Writer of Poetry and Prose :: W.S. Merwin Essays

W.S. Merwin as an Influential Writer of Poetry and Prose Emergence At the days endall our footsteps are added upto see how near.W.S. MerwinW.S. Merwin is an award-winning creator of a wide variety of both poetry and prose books. He has served as a tremendous influence to me and has helped guide me along my writing journey. He inspires my best writing and has helped to shape my stylistics. I seek to follow in the footsteps of perhaps one of the most well known and popular poets of this century.W.S. Merwin was innate(p) in New York City in 1927 and grew up in fusion City, New Jersey, as well as Scranton, Pennsylvania (Merwin, Selected 279). From 1949 to 1951, Merwin was a serviceman traveler, as he worked as a tutor in Portugal, France, and Majorca (Merwin, Selected 279). In addition to writing poetry, Merwin also wrote articles for The Nation as well as radio scripts for the BBC (Merwin, Selected 279). One of his most famous poetry books, The Carrier of Ladders, win the Pulitzer P rize in 1970 (Merwin, Selected 279). In addition to his books of poetry, he published deuce-ace books of prose The Miners Pale Children, Houses and Travelers, and Unframed Originals. Merwin received many outstanding awards in his flight including The Fellowship of the Academy of American Poets in 1974, and the Governors Award for Literature of the fix of Hawaii (Merwin, Selected 279). Merwins writing style is unique from many other captain writers. Merwin has been committed faithfully to the energies of fragmentation, erasure, and all those energies we identify as negative (capital of Massachusetts Review 1). Because Merwin is up to(p) to use this technique so effectively, I contract to follow in his footsteps and try nearly of it out on my own. crick Jones and I used this idea in our collaborative poem, pierced existence, in which we did not use proper capitalization or follow some of the most basic rules English rules. When I write in this style, I feel more relaxed becaus e I do not have to be concerned with grammar and spelling. I am better able to concentrate on imagery and the use of words. Merwins magisterial control of lyric syntax and floor order give the reader no difficulty they are able to understand his work since it flows free from form (Boston Review 1). The consistency, the comprehensive and transforming vitality of the work makes it the crowning achievement of Merwins long and extremely alter career (Boston Review 1).

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